Pablo picasso and marcel duchamp

Pablo Picasso & Marcel Decamp Pablo Picasso is one of the most influential artists of the 20th century. He was born in Spain but worked mainly in France, where he became the most well-known artist of his time. Picasso massive output of paintings, sculptures, drawings, prints and ceramics was inspired by many different sources. In the early sass, Picasso developed a movement that signified him, it was known as â€Å"cubism†. This movement marked the beginning of modernism. Marcel Decamp has been known for his rebellious ideas and actions in the 20th century.He was born in France but moved to the USA, and became a US citizen in 1955. His works were known as â€Å"Ready-made†. Duchess's ready-made changed what art meant. He bought elements that would never have been regarded as art. Some people saw it as less art and more â€Å"putting together†. This movement was called â€Å"Dadaism†. This essay will discuss two artworks; â€Å"The Weeping Woman† â⠂¬â€œ by Pablo Picasso, and, â€Å"The Shovel† – by Marcel Decamp. â€Å"The Weeping Woman† is a famous work by Pablo Picasso and holds a lot of meaning.Picasso painted this work in 1937 after a town of Querying was bombed. The artwork holds a lot of symbolic meaning and was inspired by the events of that point in time – the Spanish Civil War. The artwork focuses on the main victims of the attack – the women. The artwork is full of emotions and grief which is expressed through the use of thick lines and different colors. The work is basically the face of a crying woman. The woman was said to be Dora Mar, whom Picasso described as â€Å"always weeping†. She was his close agent when he was most involved with politics.The focus of the structure is the rough area of hard blue and white forms around the out and teeth, clamped violently on a handkerchief; the flesh seems to have been peeled away by acidic tears to reveal hard white bone and the ha ndkerchief she stuffs in her mouth is like a shard of glass. Her eyes are expressed as black holes. As the eye travels up the artwork, we can see that the eyes and forehead are also broken and disordered, and the woman appears literally ‘broken up' with grief. The roughness of the forms is backed-up by the roughness of the colors.The face, neck and hand are painted in an acid, inconsistent yellow and violet and green. These colors may represent decay and decomposition. The yellow and violet however, are opposite colors, as are the blue and orange-red of the woman's hat. Furthermore, the background is painted in strong yellows, contrasting with the blues of the hat and the blues and violets of the hair. The inconsistent color scheme intensifies the impact of the painting. The Weeping Woman is a study of how much pain can be communicated by a human face.The artwork translates the human emotions by paint. Picasso intention was for the viewers to feel the pain when viewing the pai nting. Marcel Duchess's artwork, the shovel, is very different compared to Picasso work. At first sight, it could easily be misinterpreted into being an everyday object kept in almost all homes. A person would not know it as art and would be confused to see it in an art gallery or museum. â€Å"Shovel† was the first Redeemed to be made by Decamp in 1915, after his move to the United States.The Shovel may seem important and artistic to Marcel because no such object existed in France (from where he came). This shows that the shovel was nothing extraordinary to the citizens of the US, who would later be the viewers of the artwork, but something unfamiliar to he artist, therefore, an element of art in his sense. The original shovel was bought from a corner store from where Marcel lived. However, after his move, it was thrown away by his sister. Marcel replicated it and along its lower rim, he wrote the phrase: â€Å"In Advance of the Broken Arm/ (from) Marcel Decamp 1915†. It is stated that the â€Å"from† in the phrase conveys that the object came from the artist, but was not made by him. According to the artist, the phrase written on the shovel is the main color to the artwork. It's a play on words. The phrase refers playfully to the function f a snow shovel which is to remove snow from the ground. Duchess's title shows that without the shovel to remove the snow, one might slip and fall and even break an arm. Marcel Duchess's artworks show that there is no difference between an artwork and an everyday object.The shovel could easily be mistaken for a simple shovel if it were not suspended from the ceiling in a museum. Therefore, the location and position of the artwork stands as a critical part of the piece. Pablo Picasso Weeping Woman can be looked at under the subjective frame as it is basically all bout human emotions and feelings. The main subject of the artwork is the broken face of the woman. By looking at the artwork, one can feel the p ain and sorrow that the subject would have been going through.The work can also be placed under the structural frame as the face is made up of geometric shapes and the colors and their tones play a vital role in conveying the message. The cultural frame can also be a part of the work as it is stated that the Mater Dolorous, the weeping Virgin, is a traditional image in Spanish art, often represented in colorful, elaborate sculptures tit glass tears, Just like in the Weeping Woman. As for the Shovel by Marcel Decamp, it can be categorized under the cultural frame as many scholars have seen sexual suggestions in this Redeemed.Some note that the Shovel â€Å"is an obvious phallic symbol† Another once mentioned that the Sanskrit word for shovel is â€Å"langue,† which is almost equal to the term for phallus (â€Å"langue†). In Status-Asiatic languages the same word meaner both â€Å"phallus† and â€Å"shovel. In conclusion, by examining both artists and thei r artworks, we can see that they are form the same mime period, but hold two opposite views to art. The two artists' distinct differences represent a central logical and visual opening in the history and development of modern art.While Picasso viewed modern art as a visual experiment, Decamp came to believe that art was about ideas and attitudes. Picasso artwork was a traditional artwork of that time whereas Marcella was more about shifting the views engagement of the works of art from pleasing to the eye to the service of the mind, challenging the traditional notion that beauty is a defining characteristic of art. According to Marcel, wings become art by putting them in places where one expects to find art.Where Picasso expresses his feelings through colors and lines, Marcel expresses it through words and phrases. Where Picasso makes his artwork, Marcel â€Å"buys† them and plays around with them. Picasso works are made on a canvas and the painting is the crucial part howeve r, with Marcella artwork, only the placement and position of the artwork is crucial and defines it as a work of art. The Shovel is hung from a ceiling in a museum where The Weeping Woman is simply hung on the wall. In the end, both are known as artworks today and are admired.

Research Paper on Mozart

Research Paper on Mozart On hearing the word genius, no other name springs to mind quicker than that of Wolfgang Amadeus Mozart. To me, his music reaches a level of perfection unmatched by any other composer. Whereas other great composers excel in a particular aspect of music – Bach with harmonic power and contrapuntal complexity, Handel with melodic virility and textural manipulation, Beethoven with developmental techniques and expression of drama – Mozart reigns supreme in all aspects. He had the harmonic complexity, the melodic grace, the clever developmental techniques, and the emotional content. Furthermore, he was supreme in virtually every musical style of his day – concerto, symphony, sonata, opera, choral music, fugue, canon, et cetera – there was nothing that he could not do. However, Mozart’s mastery of musical qualities is just a mere aspect of his technique, for I believe there is still something else fundamental underlying these qualities. So what is about this little man from Salzburg that is so miraculous? Upon analysis, the techniques of other great composers – Bach, Handel, and Beethoven – have the ability to greatly impress and inspire me. Mozart however simply bewilders me. With great composers such as Bach, Handel, and Beethoven, one can see how they worked out a piece of music logically and systematically. For example, the jagged melodies and unusual intervals in a Bach fugue suggest that his melodies are harmonically conceived. Bach has a harmonic basis in mind, and lays down a melody logically so that it fits the harmony. Conversely, the simple and symmetrical harmonies of Handel suggest that his harmonies are melodically conceived. A melody is composed, and harmonies are logically based on the melody. One can also see the logical structure in Beethoven’s music. A short theme is introduced, and it forms the basis for development in the remainder of the movement. Of course this is an overs implification, but the general principle is that the music of the great composers is worked out logically and systematically. I would even go as far to say that with the right amount of time and musical understanding, one can emulate the logical techniques of these great composers. Their music is attainable. With Mozart however, one encounters a paradox. I have already mentioned that his music excels in all aspects and qualities. I believe however that this does not do him justice. What makes Mozart’s music so special is that it has all these qualities in perfect proportion. Everything just happens to be in exactly the right place, and in such a delicate balance, needing no more or no less. It is almost as if Mozart’s melodies are harmonically conceived and at the same time his harmonies melodically conceived. This paradox reveals that Mozart’s compositional technique is beyond the systematic logic of the other composers. With Mozart everything just seems to fit. It is almost as if he transcends musical logic and sees the music at a higher level that other composers. This is not something that one can emulate by following musical logic or by learning techniques. Upon listening, Mozart’s music has an air of inevitability or rightness. Yet, it also manages to possess an air of unpredictability. This is another paradox of Mozart. It is unpredictable due to its complexity and depth, and familiar due to its subtlety and prefect proportion. It is the perfect proportion which makes Mozart’s music flow so naturally without any strain. For example, in a Bach fugue, the fact that the melodies are logically placed to fit the harmonies or the fugal form can make them sound forced and at times artificial. The melodies don’t come naturally, but are logically placed. With Beethoven, the extremes in dynamics or orchestration can also often sound forced and artificial. One may say that Bach was willing to sacrifice melodic grace for complex harmony and counterpoint, and Beethoven for dynamic power. Mozart however sacrifices nothing, for the music just comes naturally. For example, in the Art of Fugue, Bach manages to logically work out a theme which achieves harmonic coherence when used in several different contrapuntal forms. The angularity and the forced nature of the melodies however do suggest that they are logically worked out so that they fit the harmonies in such contrapuntal forms. In effect, the themes play functional rather than independent melodic roles. However, in the finale of Mozart’s Symphony no.41 in C Major (K.551), Mozart introduces several independent melodies, and then unexpectedly combines all of them together in the coda. All this seems so effortless and natural, that the contrapuntal complexity is lost in us. Unlike Bach, Mozart has not logically forced melodies to fit the harmony or structure, but has simply created several independent melodies that fit together perfectly in what is perhaps the most brilliant show of contrapuntal combination in the history of music. Perhaps Mozart’s subtlety is the reason why many critics pass him off as a ‘composer of catchy tunes’. The perfect proportion of Mozart’s music makes it flow so naturally that the complexities become so subtle that they are unnoticed. The truth however is that Mozart’s music is far more complex than it sounds. Mozart’s powerful harmonic sense is illustrated by his ability to modulate effortlessly and explore a large number of keys in a single movement. This is evident in the first movement of his Violin Sonata in Eb Major (K.481), in which he explores the keys of Ab Major, F Minor, Db Major, C# Minor, A Major, and G# Minor. This amazing harmonic freedom within one movement not only excels that of Bach, but the harmonic structure is so perfectly finished that the modulations appear so effortless. Even on a smaller scale, Mozart’s music is saturated with subtle complexities. A good example is in the first movement of his Viennese Sonatina no.1 in C Major. In bars 5 to 6, a simple melody is exposed, consisting of the notes C, D, F, and E. This simple melody can be harmonised with the diatonic chords of C and G7, the tonic and dominant seventh of the key respectively. However, the simple addition of a short rising chromatic scale in the left hand harmonises the melody in more distant and chromatic chords, including Dm, D, G#dim7, and Am, with rapid chord changes. True art is to conceal art, and Mozart manages this perfectly. Once again, the complexities are so subtle that they are often unnoticed. Mozart’s ability to create complex music in such subtle ways reveals another of his qualities: his ability to achieve what he sets out to achieve using the minimum number of notes. His music is incredibly economical. He seemed to know exactly what to put in, as well as what to leave out. Whereas Beethoven creates a dramatic effect with deviations from harmonic law, extreme dynamics, deliberate dissonances, and a large number of voices, Mozart can create an effect as dramatic without going to extremes in dynamics, dissonances, or number of voices. An example is his Symphony no.40 in G Minor (K.550), in which Mozart creates deep passion and emotion while containing the music within limits – he never breaks the rules of harmony, the dynamics never go below piano or above forte, the dissonances are all contained within tonality, and the orchestra is small. Mozart’s music manages to achieve complexity and drama without going to extremes. The accounts of Mozart’s musical ability are unbelievable. He could write down a piece of music while thinking out another in his head. He would often think out a piece and write down the individual parts before compiling a full score. Already as a very young child he was improvising fugues and composing substantial pieces. The only composer who comes near to Mozart as a child prodigy is Mendelssohn, who composed the overture to A Midsummer Night’s Dream as a teenager. However Mendelssohn failed to develop much further, and although his music reveals an excellent sense of proportion, harmony, and passion, he lacks the complexity and subtlety which Mozart has over other composers. Amazingly prolific, Mozart composed over six hundred large-scale pieces, as well as many unknown works and fragments, in his tragically short life. Furthermore, he conquered virtually every medium with his music. And all this seemed effortless: in a letter to his wife, Mozart tells her about ho w he wrote an aria one afternoon out of sheer boredom! To top it all off, his music shows little correction, and he composes at amazing speed. Whereas Beethoven would spend months or years on a piece, Mozart would spend hours, days, or weeks at most. Mozart’s last three symphonies were all completed within a period of six weeks. So what can be concluded about Mozart? From what I have provided, it is difficult not to be amazed by him. To me, his music represents the attainment of musical perfection. It transcends the music of other composers. If I were to make a list of great composers, relatively high on the scale would be the epic greats, such as Haydn, Mendelssohn, and Tchaikovsky. Even higher would be the great masters, such as Bach, Handel, and Beethoven. But way up on a completely different scale of his own would be Mozart, the greatest composer of them all.

Major Themes in The Green Mile

Major Themes in The Green Mile Free Online Research Papers The Green Mile by Stephen King is the story of a man with god-given powers of healing sentenced to death for killing two young girls. The themes of compassion and sacrifice can be seen in this movie. One part of this movie that shows lack of compassion is when one of the prison guards, Percy, kills one of the prisoner’s pet mouse showing how little he cares about other people. Percy in this movie does not show any kind of good towards other people. He does not seem to care at all for anyone but himself. This movie is about death row in a Louisiana prison. The last walk, from the cell to the electric chair is known at this prison as The Green Mile, due to the color of the floor. One item of special emphasis is that when the condemned man is seated in the electric chair, the prison guard in charge of the execution is supposed to place a wet sponge on top of the head of the prisoner, just before the head strap is secured with one of the main wires for the electrical current. This is meant to speed up the execution on the basis that water is a very good conductor of electricity, and the wet sponge conducts the current immediately into the brain of the prisoner. This kills the inmate quickly, and mercifully (as mercifully as this method can make possible). The preparation for the execution is ended, just before the juice is turned on, with the words: God have mercy on your soul! It was also interesting that, when one prisoner is executed, and the guard in charge fails to use water on the sponge, there is a very ugly, painful and vicious electrocution in which the prisoner does not die immediately, but is badly burned and thrashes back and forth until the body is essentially a pile of charred remains. This movie has mixed feelings for me. I am saddened when I see the soon to be prisoner holding onto the two girls he had just killed. Seeing him like that with the two girls makes me hate him for what he has done to the girls, and makes me want the worst possible punishment for him even if it is the death penalty. Later on in the movie, he seems to gain the trust of the guards. He makes them think he really is innocent, and did nothing wrong. He makes them think he is God because he heals the one prison guard from a bladder infection, and then heals the warden’s wife. I find it quite interesting that even though he brutally murdered two young farm girls and were found with them next to him, and the girl’s blood on him, that the prison guards think he is innocent as soon as he walks in the prison door. Seeing this movie makes me wonder how prisoners are treated in our prisons right here in our own country, our own county, or even our own city. If the guards treat all prisoners like they treated the prisoner in â€Å"The Green Mile†, prison may not seem as bad as some think, or for some, better than the streets. The camera angles in this movie are at different angles. I believe they had the cameras down low in order to make the prisoner seem really tall which in turn made the guards seem really short. I am not sure what this movie can teach someone about being human, other than that everyone makes mistakes in their lives whether it is small ones that can be overlooked, or big ones that can cost you your life. I think when the prisoner healed the prison guard, and warden’s wife, that was not human. Humans cannot heal each other like that. All in all, I think this was a good movie, other than I think it gave people the impression that murdering someone is ok, because you will be treated nicely in prison up until you are electrocuted. You are allowed to do things that you may not be able to do otherwise. Research Papers on Major Themes in "The Green Mile"Book Review on The Autobiography of Malcolm XCapital PunishmentWhere Wild and West MeetThe Masque of the Red Death Room meaningsThe Hockey GameMind TravelArguments for Physician-Assisted Suicide (PAS)The Spring and AutumnQuebec and CanadaHip-Hop is Art

Assessing The Difference Between Crime And Defiance Criminology Essay

Assessing The Difference Between Crime And Defiance Criminology Essay Crime and Deviance, is a major topic which affects mostly every society in today’s world. When defining crime and deviance, it will depend of the norms and values of a society. Many societies have many different values and norms. Norms of society, is where all society members are expected to conform to certain behaviours. Values of a society, is where a society values something which all society members conform to. For example, many societies value certain types of religion such as Christianity or Buddhism and many other types of religion. Crime in society, is usually very specific, that it goes against the laws of society. People who commit crimes, are breaking the law and if caught, must be punished. People can be punished for committing crimes such as burglary, damage to people’s property, murder and assault. People who are found guilty of committing crimes, must be punished by the courts of law. Crime is a relative concept. This means that how a society views crimi nal acts, can differ. Criminal acts in one society, may not be seen as a criminal act in another society. Society may also differ in how to punish people for committing specific criminal acts. (Broom and Selznick, 1963 p 540,541). When looking at crime in society, it is important to look at the physiological and psychological approaches in relation to crime. These approaches have been criticised. Looking at the physiological approach, a biological theory was carried out by Cesare Lombroso. Cesare Lombroso, tried to find out if there was a connection between crime and biological causes. In 1876, Cesare Lombroso carried out research called â€Å"L’Uomo Delinquente†. Cesare Lombroso (1835 – 1909), came up with the suggestion that criminals could be identified using certain physical characterisitics such as large jaws, low foreheads and excessive body hair. Cesare Lombroso’s work was dismissed, because the theory was only focused on the criminals, in prison. This theory failed to take into account, why some people who have similar human attributes, are found throughout the world. The theory, failed to explain how certain physical human attributes distinguish criminals from people who do not commit criminal activities. (Macionis and Plummer,1998. P207) The psychological approach suggests that criminal behaviour, could be explained due to the individual’s mental make up and processes such as personality, rather than the person’s physical characteristics. Hans Eysenck, carried out research in â€Å"Crime and personality† in 1964. Hans Eysenck, suggested that it was possible that certain personality traits that people have can make certain people â€Å"resistant to discipline than others†.(Stephenson,1992. Page 7). Hans Eysenck also suggested that people with certain personality characteristics would be more likely to commit criminal behaviours.(Stephenson,1992. Page 7). Overall, using the physiological and psych ological approach has been criticised as it does not take into account some factors such as â€Å"exploring how conceptions of right and wrong initially rise,†.(Macionis and Plummer,1998. P208). Deviance can be defined as behaviour which does not conform to certain norms of a specific society.(Haralambos & Holborn,2008). Deviance can be explained as a more broader term than crime. It is not specific and deviant behaviour may not be criminal.

Ethics of Care and Justice Essay Example | Topics and Well Written Essays - 1000 words

Ethics of Care and Justice - Essay Example Finally, Held perceives people as being â€Å"relational and interdependent, morally and epistemologically† just like the morals of responsibility (Held 148). This is mainly because the theory put forward mainly perceives humans as being individualistic. On the contrary, the morals of justice differ from the morals of care since it emphasizes on the issues of fairness and human rights unlike the latter which emphasizes on the individuals emotions (Walls, p.176). It does not emphasize on handling the individual emotions but on promoting fairness despite the emotions attached to the issue under consideration (Robinson 135). The morals of justice additionally differ from the morals of care since they consider reasons rather than an individual’s emotions and are keen on ensuring that justice prevails in all situations (Walls 178). The morals of justice also differ from the morals of ethics on the ground that the former focuses on the importance of mobilizing the social reso urces available in safeguarding the vulnerable people from exploitation from the people who are in power (Robinson 139). This is different from the morals of care which emphasize on the importance of shaping good and caring relations among individuals (Walls 179). Finally, the morals of justice stipulate that humans are dependent and are solely responsible for their actions but the morals of care stipulate that humans are relational and interdependent (Robinson 142). This implies that according to the morals of care humans rely on one another for moral support and that the relations between them play a vital role in their daily lives (Walls 183). The moral of justice approach differs from the morals of care approach since it can be used in... This essay basically expounds on Held’s views on the principles of care as the primary moral principle, valuing emotions in favor of reason and valuation of partiality rather than impartiality while focusing on private relationships as opposed to relationships in the public realm. The researcher of this essay also tries to ascertain whether people are relational and self-governing rather than being independent along with autonomous. According Virginia Held, the rights of humans begin with ethical responses to oppressions that have been experienced historically. She says that in â€Å"order for them to become operational they must be developed into institutional mechanisms that function effectively to mobilize social resources to protect the vulnerable†. Virginia Held also argues that the morals of care have a lot to talk about concerning moral relationships within the private spheres of the family along with their personal friends. Finally, Held perceives people as bein g â€Å"relational and interdependent, morally and epistemologically† just like the morals of responsibility. In conclusion, the father and mother should be made to account for their mistakes through the standards of care and justice that Virginia Held suggested. This is because they will greatly help in alleviating the emotional breakdowns that the children go through due to their behaviors. The approach I would prefer to be utilized in streamlining their activities is the moral of care as it considers the personal relationship between the individuals in question.

Answer exam questionA Essay Example | Topics and Well Written Essays - 1000 words

Answer exam questionA - Essay Example This notion postulates that the nuances of HRM and the applicability of its associated theories vary drastically on a cultural basis (Brewster et al. 2011: p2). Therefore, the pivotal significance of cultural observations in international management practices not only extends to the appreciation of national culture and its impact on business operations but also to the aspect of managerial behaviour (Crawley et al. 2013: p76). In assessing the impact of an understanding of culture and cultural difference on the behaviour of a western manager assuming an executive position at a non-western organization several factors must be examined. The commencement of managerial roles in an unfamiliar national culture is welcomed by cultural shock which may result in a failure to meet objectives and goals that accompany the position (Crawley et al. 2013: p77). However, a thorough comprehension of culture implies that a manager’s attitude towards colleagues would be marked by respect, sensiti vity, consideration and an understanding of critical aspects such as religion, ethnicity and race when managing a diverse workforce (Crawley et al. 2013: p77). More importantly in the context of the example under discussion, the assignment of a western manager within a non-western organisation presents the challenges of unique role demands posed by cultural factors. In this scenario, an effective understanding of role demands assists both managerial behaviour and performance (Dowling 2008: p193) given the existence of role clarity in defining what is expected of the individual within the organization (Dowling 2008: p194). While, it is important for a western manager to recognize the significance of specific characteristics related to cultural differences when performing his duties at a non-western organization, it is the successful application of relevant leadership theories that lies at the core of effective HRM. The contemporary leadership theories that have been applied by resear chers on assessments of culture and cross-cultural examinations are that of transformational leadership and charismatic leadership. An investigation into the Global Leadership and Organizational Behaviour Effectiveness (GLOBE) proposed that the relationship between manager behaviour and cultural implications in Indian organizations was such that workers favoured charisma and action orientation in an ideal leader (Robbins 2001: p389). This observation implies that a western manager having extensive information about culture and cultural differences would adopt the characteristics of a charismatic leader, as research shows that charismatic leaders can be made (Robbins 2001: p374). Additionally, formulating a vision, a clear long-term strategy and achievable yet inspiring goals are constituents of successful charismatic leadership. Furthermore, it is understood that characteristics of Indian culture include collectivism and the adoption of a humane approach. Therefore, the managerial b ehaviour of a western executive must integrate the attributes of transformational leadership by inspiring workers through communication of goals and the provision of personal attention, coaching and advise (Robbins 2001: p377. The latter is an indication of respect, understanding, sensitivity and consideration which is much valued in non-western nations such as India. In conclusion, an extensive comprehension of culture is a factor that is highly favourable for a manager who is

Pp2 Essay Example | Topics and Well Written Essays - 1500 words

Pp2 - Essay Example One article praises the quality of Japan’s management style and sates that British managers are trying to learn from the competitive model of Japanese management style. Another article points out the weak aspects of Iranian hospital management. The article helps us to make a detailed comparison with the hospital industries UK and Japan. The literature also illustrates the various reasons why hospital industries in UK and Japan have better management quality than that of other countries like Iran. The majority of developed countries seek convergence of different management styles which are found successful in practical business operation. The article on Iranian hospital management points out the absence of effective interaction between the managers and other employees. Iranian managers maintain exceedingly distinguished position in the organizations which ultimately will have adverse effect on the interpersonal relationship. On the other hand, the managers of other regions main tain comparatively positive approach to knowledge sharing and collective teamwork. As the article states, there is little distance between managers and other individuals in the British style of organizational management. Instead of personal management, rather broad and collaborative information sharing has become the major facet of modern business management. Therefore, the mode of leadership is a significant factor that determines business success. The quality and effectiveness of workforce is subjected to leadership style. HR management should be the major concern business strategy. Successful companies spend time and effort to develop their managerial functions. Countries like Iran need to heed their genuine concern to research on other organizational cultures and business management styles. The first part of the research is to investigate the common theories associated with the organizational management. The theory part will be helpful in order to